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Season' is only on half of the time Too bad he couldn't talk him into writing one with more substance than an ingrown toenail.
McNally's contribution to "Off Season: A Duet" has a title that reflects the drift of the piece "Chatter, Yatter, Flotsom Dross or Ted Tom Terry Terri." The lethargy that envelops the four characters (and at least one member of the audience) apparently extends to McNally himself, who couldn't drag himself to a dictionary to find out how to spell flotsam. Here we have two gay couples who run guesthouses in Key West lamenting gay bashing, aging, infidelity, crime, and punishment in an offhand, conversational manner that doesn't even come to life when one admits he might have bashed a gay basher to death. "We'll have sex tonight, I promise," says Terri pandora bracelet on sale to his partner, named Terry. "We have the Chamber of Commerce meeting tonight," says Terry. "We used to be able to do both," says Terri. Terry, or maybe it was Terri, goes on to talk about a guy named Guy who pronounces his name to rhyme with key, which must mean that he's gay. All of which suggests that Terrence needs to get out more. What he doesn't do is invest that languor with anything larger than itself. In his plays, Horovitz at times tries too hard to invest deeper meaning into slices of shops that sell pandora life, but at least there's always an attempt to get out into the world and see how it works. Gloucester is a fascinating place to do that, because it's something of a melting pot of rich and poor, people who pandora charms reduziert work with their heads and people who work with their hands, younger people who are trying to break out of the narrowness of small town life and older people who have come back to embrace its virtues. Gloucester is the setting for his much earthier contribution, "Sins of the Mother," and here the off season is the winter. (The change in Jenna McFarland's two sets provides the best laugh of the evening.) The fishing industry has all but dried up, and, for these hard months, so has the tourist industry. The four characters come together in a union meeting room that now serves as more of an unemployment office where the out of work gather for their own form of chatter and lamentation. Larger issues from the outside world make their way into the room. How do you live a life when your livelihood is taken away from you? How do you keep the past from swallowing up the present? The structure is a familiar one. Someone returns to town forcing the people there to confront issues they want to keep buried, even if those buried issues have deadened their souls. The lid comes off, and a dramatic Pandora's box opens. Not all of the dialogue, characterizations, and plot developments ring true, but there's enough emotional honesty and intensity to propel the story forward. The four actors are the same in both. Paul O'Brien and Ken Flott have admirable range, while Chip Phillips has none. (I think he'd play Charles Manson with the same crinkle.) Forrest E. Walter is a good grounding force as the catalyst in both plays.
It was generous of Horovitz to invite McNally over to the house and nice of McNally to come. But pandora charm bracelet cheap it's Horovitz the host who provides the only memorable music in this duet.
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