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premiere rolls out the blue carpet for sci Amy Kaufman, one of the newer members of the entertainment coverage team at the Los Angeles Times, braved the madness of the premiere at Grauman Chinese Theatre on Wednesday.

This is a longer version of her story, which will appear in today editions of the paper. She also shot the video. Hundreds of fanscrowded behind barricades along Hollywood Boulevard on Wednesday hoping for a glimpse of celebrities walking down a Pandora blue carpet rolled out where can i buy pandora rings to celebrate the long awaited arrival of James Cameron sci fi epic at Grauman Chinese Theatre. The adventure film hailed by some in Hollywood as game changer for its special effects wizardry and3 D approach is winning over critics and appears poised for a strong opening weekend. The film stars, including Sigourney Weaver and Sam Worthington, as well asinterested celebrities such asBill Paxton and Tom Arnold, came out to support the movie. Also real pandora charms among the interested observers: Fox co Chairmen Jim Gianopulos and Tom Rothman, who have plenty riding on themost expensive film in Hollywood history with a budget somewhere north of $310 million. The biggest star in the film never appears on the screen is the first feature film by Cameron since brokebox office records in Hollywoodwith its theatrical run in 1997 and 1998. The director has beencalled a visionary, a crowd pleaser ora tyrant (it depends on whom you ask) stood clutching the hand of his wife, Suzy Amis, andtalked to reporters nearly 30 minutes after the film was scheduled to screen. With a big grin, he saidhe found the early acclaim from critics especially exciting. The 55 year old director also said he hoped any success the film has will help the emerging technologies though he also considers himself an innovative storyteller. a techno geek and I love the innovative processes, but I never put that before telling a story, Cameron said. spent a lot of time in the writing, I spent a lot of time thinking about the characters. Saldana, who plays theblue skinned alienprincess Neytiri, said she hopes her role will encourage other actors to work with Cameron refined performance capture technology. think as actors, besides the fact that you want to play roles that are unique and are very different from the ones you played before, you also want tocontinue challenging yourself, she said. part of that is also challenging technology and working with it. And when technology works in your favor and gives a filmmaker or an artist an ability to continue growing and capturing his vision, as opposed to limiting it, that can only be a good thing in my eyes. One reporter standing on the press line had painted his face dark blue and tousled his hair to resemble the Na tribe members in the film. Aussie actorSam Worthington, hero Jake Sully, was accompanied by a petite brunette he introduced to others as girl. Worthington, whostars next in of the Titans, said he first met Cameron in the summer of 2006, long before he had any idea of the phenomenon the film would turn into. any actor, you fear unemployment, you get the opportunity to go for a job and you do the best you can. You know stepping into Jim Cameron world it gonna be quite monumental and that an understatement. But you do your best. That all you can really do. Amy Kaufman THE COUNTDOWN: 30 DAYS OF AVATAR Avatar is a classic scenario you seen in Hollywood epics from Dances With Wolves, Dune, District 9 and The Last Samurai, where a white guy manages to get himself accepted into a closed society of people of color and eventually becomes gold pandora charms cheap its most awesome member. If we think of Avatar and its ilk as white fantasies about race, what kinds of patterns do we see emerging in these fantasies? A white man who was one of the oppressors switches sides at the last minute, assimilating into the alien culture and becoming its savior. These are movies about white guilt. Our main white characters realize that they are complicit in a system which is destroying aliens, AKA people of color their cultures, their habitats, and their populations. The whites realize this when they begin to assimilate into the "alien" cultures and see things from a new perspective. To purge their overwhelming sense of guilt, they switch sides, become "race traitors," and fight against their jewelry pandora bracelet old comrades. But then they go beyond assimilation and become leaders of the people they once oppressed.

This is the essence of the white guilt fantasy, laid bare. It not just a wish to be absolved of the crimes whites have committed against people of color; it not just a wish to join the side of moral justice in battle. It a wish to lead people of color from the inside rather than from the (oppressive, white) outside.


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